The title of the first episode of Outlander’s third season, “The Battle Joined”, is a fitting title for this review because, in many senses, it encompasses the theme of the entire season to come. As someone who has read the books multiple times, I know what’s ahead for these characters, but, as a fan of the show, knowing what will happen is not the same as knowing how it will play out on screen. If you wonder why readers want to watch adaptations of their favorite books, what the cast and crew of Outlander put on screen should answer that question for all time. To take the grand tomes that Gabaldon has created and then boil them down to thirteen hours of television is a monumental task, but to do it in a way that consistently brings fans back even after a fourteen-month hiatus is Herculean.
They make it look so easy I nearly forgot that Droughtlander ever happened. Continue reading →
Now that Outlander’s second season has come and gone and the story of Dragonfly in Amber has been told, for better or for worse, it’s time to revisit the season as a whole to look at the particulars that made this season what it was. Originally, I wanted to call this week’s post-mortem a look at the good and the bad, but it’s difficult to write bad when looking at a copy of the second book and realizing what a massive undertaking this season was for the writers. Continue reading →
When I was out of town last, my mother texted me a picture of a bridge my son had built between two concrete blocks. He likes bridges; at almost five years old, they make sense to him. You take two things and you connect them with whatever’s handy. They’re a means to an end, a way of getting from one place to another, bringing together two disparate places to continue a journey. While I was watching this last episode of Outlander’s second season, I saw the bridge from what the show has been to what it will become. Continue reading →
This week, Outlander endeavours to tie lots of things up while driving this particular Sassenach nuts with its absence of something so dear to the story. My review of episode 2.12, “The Hail Mary” starts now… Continue reading →
With the end of season two imminent, it’s time to staying tying up loose ends and who better than Diana Gabaldon herself to help that process along? This week’s episode features revelations galore and a spectacular end to a problematic presence. Work in some gore, a bit of humor, and Claire playing both badass in charge and a woman in distress and it’s pretty much Outlander at its best. Continue reading →
If you think that Outlander is a show whose audience should primarily be women, then you have missed the point of the show and the book series it adapts: it’s the purest of storytelling, epic in scope, but familiar and intimate in its subject matter. Love between two people and the resulting familial bonds set within a context that brings complexities well-known to many generations: politics at the macro and micro level; war and its tragedies; and pioneering with its many risks. If you think all of this is merely women’s literature, then you are missing out on so much. Continue reading →
On Wednesday, Starz announced that the cable network had renewed Outlander for seasons 3 and 4, a two-season renewal that speaks to the popularity of this adaptation of Diana Gabaldon’s series. These two seasons should cover the books Voyager and Drums ofAutumn, which is amazing news for Sassenachs everywhere, especially after we see what I suspect will be in this season’s last episode. Continue reading →